| Follow Us: Facebook Twitter Pinterest RSS Feed

Arts + Culture : Innovation News

232 Arts + Culture Articles | Page: | Show All

First-ever National Women's History Month Festival to be held in March


March is Women's History Month, and to celebrate, two Cincinnati organizations are bringing a one-of-a-kind event to town.

Women empowering women through art and lectures is the premise of the first annual National Women’s History Month Festival, which is happening from March 3-18. AlivenArts and MUSE are partnering up for two weeks to bring the festival — filled with art of all kinds — and conducted by women.

The hope is for this year's festival to be the first of many. Each year, AlivenArts will pick a local group to receive proceeds from the event, and this year, they chose MUSE Cincinnati Women’s Choir.

“There's still a place, there's still a reason and there's still a way and need to celebrate women, and what better way to tell the history than through the artistry,” says founder and former associate director and accompaniment for MUSE, Rachel Kramer. “Whether that's singing, theater, dance, film, literary — whatever it is — the story can be told and history can be told through the artistry.”

The inspiration for the festival started when Kramer attended Dayton LUNAFEST in 2017 as a guest. From there, it developed into booking other guests and eventually turned into a much larger festival.

One of the goals of the festival is to help bridge the gap between women who work from home and women who own businesses.

“Women have always had these cottage industries, like teaching piano in their home, crafting or book club,” says Kramer. “Then there's these women owning these huge businesses and they don't intersect. It's been a real eye opener.”

Some of the women to be featured at this year’s festival include Xavier University adjunct professor Dr. Brenda Portman, who will present an organ recital; Miami University’s Dr. Tammy Kernodle, who will conduct a lecture on women’s rights; the LUNAFEST Film Festival; and many more.

The National Women's History Month Festival will be held various places throughout Cincinnati, including the Harriet Beecher Stowe House in Walnut Hills and St. Michael’s Street Sanctuary in Price Hill.

Passes for the festival are $40, which includes one ticket to each of the main events. For single day passes, prices vary, depending on how many events a person chooses. 
 


Cincinnati Opera teaming up with OIP to broaden audience awareness


Wrongful convictions occur far too often in our criminal justice system, so the Ohio Innocence Project is teaming up with the Cincinnati Opera and the Young Professionals Choral Collective to collaborate on a new project.

The opera Blind Injustice, named after UC Law Professor and OIP Director Mark Godsey’s book by the same name, will debut in June 2019. It will detail the stories and range of emotions experienced by six men and women — all of whom were wrongly convicted and later exonerated as a result of OIP’s dedication to the truth.

“The stories of these six exonerees are powerful tales of perseverance and forgiveness after going through an ordeal most of us can’t even imagine,” Godsey says.

The stories included are: Rickey Jackson, who spent 40 years in prison and was sentenced to death prior to being exonerated for a murder he did not commit; Clarence Elkins, who spent 7.5 years behind bars after being wrongly convicted of rape and murder; Nancy Smith, who was in prison for 15 years as a result of invalid molestation charges; and the East Cleveland 3 — Derrick Wheatt, Laurese Glover and Eugene Johnson — who each spent 20 years in prison prior to a key eyewitness’ recanting of testimony.

According to Marcus Küchle, director of artistic operations and new work development for the Opera, opera is an ideal medium to convey the exonerees’ powerful emotions. “The general public is likely not aware of the extent of this problem. And if they are aware that wrongful convictions occur with not insignificant frequency, then it may be compartmentalized as ‘cost of doing business’ or ‘unfortunate collateral damage’ in the process of keeping society safe. But there is a steep human cost to it. It comes with feelings of being terrified for one’s life, an indescribable feeling of love and longing for family and friends who are literally out of reach and unable to help.”

The OIP will also be represented in Blind Injustice through the lens of two characters — one of which represents Godsey in the early days of his career as a prosecutor and now as an innocence lawyer, and another that will represent OIP law students.

“Cincinnati Opera is looking for innovative ways to collaborate with nontraditional partner organizations in an authentic way to tell current stories of societal importance,” says Küchle. “We are keenly interested in breaking through the stereotypes of what opera is in the 21st century, and this project is a perfect example of the type of new works Cincinnati Opera will pursue in future seasons.”
 


A collaborative film project to showcase what makes Walnut Hills unique, special


Communities around Cincinnati are experiencing a renaissance — new businesses are recognizing the beautiful bones of our neighborhoods and growing into these interesting spaces.

Walnut Hills is one of those neighborhoods. Its proximity to downtown, historic Art Deco architecture and greenspaces have made it a highly-coveted community for businesses looking to establish themselves.

Yet some residents are concerned about losing the spirit of their neighborhood to the so-called renaissance.

That’s why a new artistic collaboration called “Here. Now. This.” seeks to preserve the character of the neighborhood and make the argument to keep Walnut Hills a little "weird."

“Here. Now. This” is a documentary film that includes footage and still shots by photographer Michael Wilson that capture the eclectic beauty of Walnut Hills. The film is the result of a collaboration between Wilson, musician Ric Hordinksi and the Walnut Hills Redevelopment Foundation, along with funding from ArtsWave.

“I hope ‘Here. Now. This.’ preserves the beauty of what Walnut Hills is now," says Betty Waite, CFO for the WHRF. “The beauty is going to change. It’s like the high school graduation picture, preserving the beauty before the big makeover.”

The documentary is scored by Hordinksi, who has been a resident of Walnut Hills since 1992. He says that the stories and sights of his community inspire him every day.

“I’m constantly running into interesting characters. I really love the physicality of the neighborhood; the architecture of the neighborhood.”

Hordinski says he hopes the project can unify redevelopment efforts with the diverse population of Walnut Hills. “When a neighborhood starts to have a renaissance, the things that make the neighborhood unique tend to get washed out,” he says. “I’ve been here for 25 years and we’ve worked hard to preserve the parts of the neighborhood that are amazing and unique.”

“Here. Now. This.” is still being developed with an eye toward completion in early 2018. The collaborators plan to host screenings in Walnut Hills, while also making the film available online.

“It’s important because I want to do my part to give back,” says Hordinksi. “I’ve been enriched by the neighborhood and my neighbors. I just want to share that with other people.”
 


Eight must-follow Instagram accounts that rule the Queen City

As you read this, phones are hovering over heads at a concert and poached eggs are dripping with hollandaise; people are posing in front of bathroom mirrors and sweeping the vista for that perfect panorama of Eden Park. Instagram unites our city shot-by-shot, uncovering the particulars through the eyes of those who live here. As you discover #cincinnati on Instagram, these accounts might help illuminate your community in unexpected ways.



Cincinnatians have known for a long time that our zoo is one of our city’s best attractions. However, Fiona's saga has caused the @cincinnatizoo's social media to explode. The world can’t seem to get enough of the littlest hippo that made it despite all the odds.



With creative perspectives and subjects, professional photographer David Schmidt looks at the Queen City in a fresh, exciting way. With regular features like #RoeblingWednesday, @cincygram captures iconic structures as well as the lesser-known details that make our city beautiful. Alarmingly technicolor sunsets and moody shots of a mausoleum tell the story of a dynamic, if complicated, city.



Instagram exists, in part, as a place for people to put pictures of the delicious food they're eating. If you need inspiration on which meal to snap next, @cincinnatifoodie is an excellent place to start. Focusing on artfully arranged plates, the meal portraits include restaurants from a range of price points, styles and locations.



Since Instagram is so food-oriented, it’s easy to get caught up in pictures of…food. @cincinnatifoodtours is an actual tour company that features plenty of plates from the spots their customers visit, but there’s also a healthy dose of Cincy food trivia and little observations about our city. Those who like to experience food will find many local opportunities as they scroll.



As Cincinnati reclaims its glorious brewing heritage, @the_gnarly_gnome has made it his mission to capture the boom of the microbrewery. @the_gnarly_gnome documents brewery openings, new brew releases and even explores some of the wineries in the area. The account proves that the ambiance of the tap room and the bottle are as important as the beer itself.



@cincinnatidoors is a reminder to stop and remember the impeccably designed details of our favorite city. By focusing on the doors around town, this account not only encapsulates our community’s diverse aesthetic, but also the history literally built into our walls.




@dogsofcincy celebrates our canine citizenry with whimsical, often hilarious portraits and brief stories of the featured pet. The account “finds the coolest dogs in Cincy,” and so far, it's been massively successful. Followers can even lobby to have their furry friend featured by using #dogsofcincy in their own Instagram post.



@outandoutfit’s Katie loves this city and the style it inspires. Often featuring her latest grabs from local boutiques, this mom also reviews nights out on the town at Cincy bars and eateries. Though her account definitely leans feminine, she posts fashion ideas for men, too.


 


ArtWorks "Big Pitch" finalist: Circus Mojo


Circus Mojo’s Paul Miller says “there’s no business like show business,” and he should know. He has performed as a clown with the “Greatest Show on Earth,” also known as the Ringling Bros.-Barnum and Bailey Circus, as well as Off Broadway shows and soap opera gigs.

He is now channeling his inner (and outer) PT Barnum to start a new venture called BIRCUS Brewing Co., which is located in Ludlow. This idea is about 20 years in the making and dates back to when Miller first arrived in Cincinnati.

In 2009, Miller relocated to Ludlow and founded Circus Mojo to offer circus classes, corporate team building opportunities and special events, and to create and run the Circus Wellness Program for Cincinnati Children’s Hospital.

That same year, Miller also bought a former Ludlow movie theater built in 1946 to provide a home base for Circus Mojo and a venue for homegrown, non-site-specific events and productions. Now known as The Ludlow Theatre, a venue for music, comedy, plays and circus, it was recently named to The National Register of Historic Places.

From 2009-2014, the space was successful as a venue for showcases and events produced by Circus Mojo, as well as a space for private rental until it became the temporary incubator/brewing space for BIRCUS. Today, the space is under construction to better accomodate BIRCUS.

Circus Mojo is one of seven finalists in the fourth annual ArtWorks “Big Pitch” presented by U.S. Bank, where they will compete for a $15,000 Judge’s Choice Award and a $5,000 Audience Choice Award during a live five-minute pitch on Sept. 28 at Memorial Hall.

The "Big Pitch" that Circus Mojo is making is to use the potential $20,000 award to take the plastic kegs that BIRCUS is made in and have them shredded, melted and poured into a mold that will be converted into spinning plates. These plates will be distributed during Circus Mojo's performances and classes, as well as to its nursing home clients and the kids at Cincinnati Children's. 

“The concept of taking our own plastic kegs and recycling them into a product that I have been buying for 20 years is gigantic,” says Miller. “Our kegs that hold our fantastic beer will be transformed into circus props and given away to people who will be entertained by our performers.”

During the Big Pitch process, Circus Mojo will be mentored by Vance Marshall, a U.S. Bank Small Business Specialist and Mike Zorn.

“Oh and another thing: Don't be afraid of clowns,” Miller says. “We have existed since the dawn of time and our goal is to make people laugh while subverting authority.”


______________________________________________________________________________________________________

How to Attend the ArtWorks Big Pitch Presented by U.S. Bank:

ArtWorks Big Pitch presented by U.S. Bank returns for a fourth year at 6 p.m. on Thursday, Sept. 28, at Memorial Hall. Seven of Greater Cincinnati's up-and-coming creative entrepreneurs will each deliver a five-minute pitch in front of a panel of judges and a live audience to compete for a $15,000 Judge’s Choice Award and a $5,000 Audience Choice Award.

Tickets start at $10 and are available here.

Read the previous profiles of 
Waterfields LLC and Handzy Shop + Studio and CGCERAMICS and Untold Content LLC.
 


Creativity and innovation to be highlighted at upcoming Maker Faire


Cincinnati prides itself on local talent, craftsmen and creatives who make, create and hone their craft all over the region. There are designers, artists, homebrewers, screenprinters, textile makers and writes a-plenty, and on Oct. 7 & 8, the Cincinnati Mini Maker Faire will highlight many of these individuals at a "show-and-tell" type event.

The Maker Faire is organized by the Cincinnati Museum Center as part of the global Maker Faire network, which was created by MAKE Magazine. Maker Faire is a family-friendly showcase of invention, creativity and resourcefulness, and is a celebration of the greater Maker Movement. The aim of Maker Faire is to entertain, inform, connect and grow this community by incorporating local crafters, collectors, tech enthusiasts, scientists and more.

In sharing their skills with other community members, makers not only enhance the variability of their craft but also the reach. Maker Faire uses the opportunity to showcase individual crafts among amateurs and professionals alike so that they may continue to pass those skills along to others.

Some of the makers included in this year’s festival are Careers in Welding, Choitek Megamark, OKILUG, OpenHeart Creatures, Project Build It (via the CAC) and Shari the Bag Lady.

For the second consecutive year, the fair will be held at the Hamilton County Fairgrounds, and the Cincinnati Museum Center's media relations manager Cody Hefner hopes that the event will push the limits of the location this year and use it to its full potential.

Makers can still apply for a booth to showcase their chosen skill and share what they have learned through their craft. There's a separate event for filmmakers, the CurioCity Series: ShakesBEERean Film Festival, which will be held at 7 p.m. on Oct. 7. 

For ages 21 and up, this includes a Shakespearean film festival, opportunities to meet with some of the festival’s makers and some of Cincinnati's finest beers.

Tickets for Saturday and Sunday, the ShakesBEERean film festival or all three can be purchased here. For more information, visit the Maker Faire homepage or Facebook page.
 


Sibling duo brings ancient art of tea ceremonies to East Walnut Hills


Siblings Lily and Max Raphael are the founders of Hearth, a project that creates community through tea and ancient ceremony. You can most often find them at Clear Conscious Movement in East Walnut Hills, where many healers and teachers share a space for their events and classes.

Soapbox sat down for a Q&A with the Raphaels to learn more about how they strengthen and heal Cincinnati through tea.


Why did you choose your location?

Lily: Hearth exists wherever we are. At this time, most of our activities take place at Clear Conscious Movement; however, we also take Hearth to the community, stewarding tea ceremonies at yoga studios, retreats, nature hikes, festivals, art installations and most recently, the Covington Farmers Market.

 

Max: Doing ceremony after ceremony at Clear, we’ve witnessed not only how tea can positively impact the space it’s in, but also all the people who share it. While we hope to expand beyond just tea with Hearth, I think the stillness and connection these ceremonies offer — on so many levels — really captures the overall spirit behind our project.

 

What services do you offer?

Lily: Inspired by our travels in Southeast Asia and Latin America, the goods we offer capture the beauty, culture and human connection we have found in the many places we have gone. These goods root back to all things cozy, providing a sense of home and respite while on the journey. Currently, we offer a selection of teas that Max came across while practicing tea ceremony in Asia. All our teas are clean, organic and in some cases, even wild, and sourced from personal connections to farms and tea merchants in Taiwan and Southern China.

 

Max: Our inspiration to share tea comes from connecting with it as a plant medicine, as I first did while studying in Taiwan. So rather than approach tea as a fancy or exotic beverage, we hope to facilitate a deeper, more personal connection to it, which we’ve found for ourselves.

 

What would surprise people about a tea ceremony? Why would someone want to try it?

Lily: During the ceremony, what I find time and again is that people are surprised by the level of stillness and connectedness they experience through a fairly simple practice. The mere act of sitting in silence and drinking tea allows us time and space to journey inward in a very accessible way that can easily be replicated at home. So much of our time is spent interacting with others, it is hard to find a moment to look inward. Even in just under two hours, it is amazing what one can discover about him/herself while silently sipping a bowl of tea.

 

Max: What’s most surprising is how close everyone feels with one another by the end of the ceremony, even though we’ve never met before, and just spent about an hour or more in silence, not conversation! The ceremony is its own sort of nonverbal conversation; with yourself, with nature and even with others.

 

Actually, the organic flow of it all, and the beautiful responses from people right after it, often catch me by surprise, too. Each ceremony is completely different, even when the same people are gathered. In the Japanese tea ceremony, there’s a saying that captures this: ichi go ichi e, "one chance, one encounter." One meaning of this is that any ceremony (or really any kind of gathering) has its own flavor and essence that could never be duplicated again. This exact assortment of people might never gather again. So tea can help us enjoy this unique time and space together. I usually like to start the gatherings by saying “this experience would not be the same if even one of us weren’t present."

 

How does this ceremony enhance the culture of Cincinnati?

Max: It’s a really special way to spend time with people, whether they’re new or old friends. We have many ways to connect and gather, but so few like this, if at all. To share silence with each other, without it being awkward or rigid, is both rare and meaningful. Most of us already drink tea, and this is just one way to find an even deeper connection with it, and through it, to something beyond tea itself. And the best part is, you don’t have a to be a certain way, or believe in any particular idea. You don’t need to know anything about tea or be a meditator, anything like that. You just sit and drink tea, and without any effort you begin to relax. Your senses gently awaken, and you feel you can set aside the usual masks or armor that some of us need just to get through the day.

 

We’re not sharing tea or the ceremonies to push any ideas, or even to make it into something exotic. We’re just creating a space each time for you to simply be as you are, and take away whatever meaning the experience has for you. To us, this is something so rare and needed not just here in Cincinnati, but everywhere.

 

What rewards you about this business?

Lily: There are so many rewarding aspects to Hearth. I love that it gives everyone an excuse to sit down and connect with each other, and that we have the opportunity to share these very special pieces of our journeys with people in our hometown. I am also grateful that it has brought so much purpose and continuity to what my brother and I love doing.

 


Cincy Stories opens second gallery in Price Hill as part of Street Stories project


The Greater Cincinnati area spans communities across Hamilton County, each holding their own contribution to the city, its history and unique stories.

Last year, community building initiative Cincy Stories opened an unusual gallery in Walnut Hills that created a snapshot of the neighborhood at that moment in history. The Walnut Hills Redevelopment Foundation approached the storytelling initiative, offering a storefront free of charge (for the month June, 2016) to help build the community and allow visitors to the gallery to record their own five-minute story about their lives in Walnut Hills.

As the next project for Cincy Stories’ executive director Shawn Braley and creative director Chris Ashwell, another story gallery opened on July 7 in Price Hill. Made possible through partnerships with the Haile Foundation, LISC, Price Hill Will and Artswave, this gallery is just the second of many future community steps for the duo, as they see the friction between long-time residents and newcomers, as well as economical shifts, that can weigh on a neighborhood.

“Through the work of storytelling in Walnut Hills, an entire neighborhood little league is being started by neighborhood residents,” Braley says. “Cincy Stories will capture the shifting populace and stories that intersect as the neighborhoods develop and varying people groups learn to become neighbors.”

The story gallery is an actual gallery — Braley says to picture an art gallery, coffeehouse and living room all in one. Free food and drinks from local eateries, live music and more are available for attendees, depending on the day. It's a place where people can come together and bridge the gap in what can often be tough neighborhoods, allowing for more understanding and sustainable change.

By sharing who they are through community narratives, people can come together more effectively than just sharing opinions on the neighborhood itself.

Now through Oct. 31, people can stop by the neighborhood story gallery in East Price Hill and share their stories with others. Making it their goal to go where the people are and not wait for people to come to them, Braley and Ashwell will produce the stories tod by community members, as they did in the Walnut Hills gallery last year, and the stories will be published on their website, cincystories.net.

Visitors will be able to share stories in face-to-face interactions as well as in a private story booth. The booth is set up as a small, private tent with a chair, microphone and video camera. Braley and Ashwell then take each video segment and edit it into a three- to five-minute video segment that airs on the television screens in the “living room” area, as well as in conjunction with other videos.

Over time, Braley and Ashwell hope that they can collect at least 20 stories from each of the 52 neighborhoods in Cincinnati. By creating relatable stories, the pair believes they can change communities for the better.

While the grand opening was held on July 7, there are gallery parties every Friday in July from 6 to 10 p.m. Weekly events will also be held throughout the duration of the gallery. The gallery is open from noon to 7 p.m. Wednesday-Saturday at 3117 Warsaw Ave.

Click here for more information about the gallery, Street Stories and the two-year nonprofit Cincy Stories.
 


Fill up on great convo and food! tomorrow as Soapbox goes to Findlay Market


This Wednesday, June 28, it’s all about scale, as Soapbox returns to host Cincinnati’s foremost foodies for the annual Food Innovation Economy speaker series at Findlay Market.

The event kicks off at 6 p.m. in the Farm Shed (located in Findlay Market’s north parking lot) and will feature big bites and big ideas from Pho Lang Thang, LaSoupe, Hen of the Wood and Babushka Pierogies.

Wash it all down with craft beer from local favorite The Woodburn Brewery, tangy kombucha from Fab Ferments and a Rhubarb Shrub Punch and signature mocktail from Queen City Shrub made for this one-night-only event.

Click here to purchase tickets for this year’s event, where you'll meet five talented local food producers and hear why it's the right time to scale and how Cincinnati's growing food ecosystem is helping them get there.

All ticket holders will be automatically entered to win two passes to the 2017 Cincinnati Food + Wine Classic — a value of $480! Plus, you'll be partying with a purpose: proceeds benefit Findlay Market, now open Wednesdays until 8 p.m. all summer long.

Come hungry and enjoy the menu as follows:

6 p.m. Check in at the Farm Shed, located in Findlay Market's North parking lot
6:15 p.m. Welcome from Soapbox's publisher, Patrice Watson
6:20 p.m. Food Innovation District overview from Joe Hansbauer, CEO of Findlay Market
6:30 to 8 p.m. Breakout talks and tasting stations

Station #1 (Farm Shed) presented by Findlay Market, featuring:

  • Duy Nguyen, Pho Lang Thang
  • Kombucha pairings from Fab Ferments

Station #2 (OTR Biergarten) presented by Cincinnati Food + Wine Classic, featuring:

  • Suzy DeYoung, LaSoupe; Nick Markwald, Hen of the Woods; Donna Covrett, CFWC
  • Beer pairings from The Woodburn Brewery -"Red, White, and Brew" traditional American wheat ale and "Salmon Shorts Sightings" blonde ale with strawberries and Rooibus Tea

Station #3 (Findlay Kitchen) presented by Findlay Kitchen, featuring:

  • Pierogie/cocktail pairings from Sarah Dworak of Babushka Pierogies and Justin Frazer of Queen City Shrub

Seating is limited, so reserve your ticket today and check out the full schedule of Findlay Market events and featured vendors here.
 


CSO and CCM team up for one-of-a-kind fellowship prograpm


The Cincinnati Symphony Orchestra and the College-Conservatory of Music, University of Cincinnati have just completed the first year of their innovative Diversity Fellows program.

“Orchestras across the country acknowledge that there are under-represented populations in the world of orchestral music and that the programs to improve representation haven’t worked,” says Christopher Pinelo, vice president of communications for the CSO.

Just as the first class of fellows began their academic and performance work last fall, The League of American Orchestras published a study evaluating orchestra fellowships.

“It’s almost as if this program was designed specifically to address the deficiencies in fellowship programs nationally,” Pinelo says.

“One of the issues identified as a flaw in most fellowship programs is the sense of isolation that fellows experience,” adds Ahmad Mayes, director of education and community engagement with the CSO. “Our program brings in five fellows in year one with an additional five in year two, with the hope that they connect with each other and create a feeling of being in it together. We are also working to ensure that they feel part of the entire orchestra.”

The partnership with CCM is also unique. Each fellow earns an Artist Diploma from CCM — the performance-based equivalent of a master’s degree — while they rehearse and perform with the CSO.

“At first, it was a bit much,” says Fellow Emilio Carlo. “You’re not just a student — you are part of the CSO and we need to keep a level of quality. But I found balance and it was helpful to have colleagues to go to who were in the same situation.”

Carlo’s other Fellows included Diana Flores, Blake-Anthony Johnson, Vijeta Sathyaraj and Maurice Todd. Four of the fellows will be returning to complete the second year of the program. Johnson will not be returning, as he secured a position with the New World Symphony as part of the auditions all fellows are required to participate in during the program.

“What measures success for us is if we are helping these fellows meet the next phase of their career,” says Pinelo. “We are trying to build a supportive environment for them to flourish. They perform with the CSO and Pops on a wide range of materials.”

Auditioning for a professional orchestra is an intense experience, one which the Fellows are more prepared for, thanks to the CSO and CCM.

“My mentor went above and beyond to help me get mentally and physically ready to audition,” says Carlo. “The musical growth I’ve seen in myself and the other Fellows has been fun to watch, and playing with the CSO has been the highest achievement I’ve had.”

The emphasis on real-world experience for the Fellows, rehearsing and performing with the CSO and participating in education and community engagement outreach is a critical part of the program.

“When Peter Landgren (Dean of CCM) came to us about starting a fellowship program, he was drawing on his own experience as a student when he substituted with CSO and the impact that had on his career,” says Mayes. “There is no other fellowship that pairs a degree with professional orchestra performance opportunities.”

As the program, which has been generously funded by The Andrew W. Mellon Foundation, enters its second year, orchestras from around the country are calling to find out how it started, how its working and how it could be replicated.

“The rest of the country is looking to Cincinnati to be a leader in this area,” Pinelo says.

And Cincinnati audiences will hear the benefit of this innovative program as nine Fellows take the stage with the CSO and Pops when they return to Music Hall later this year.
 


Five local artists will showcase their findings about segregation through art


Five artists immersed themselves within the Walnut Hills community to chat with residents and business owners about the issue of segregation and how it’s affecting their community.

The project was initiated by the Walnut Hills Redevelopment Foundation and is inspired by renowned activist Carlton Turner and his vision of artists as researchers who take their findings to create art that prompts discussion and pursue social justice.

Community members are invited to Cincy Stories at 4 p.m. on June 30 to see the walking exhibit where they can see the interpretations by artists Alan Haley, Michael Ellison, Dyah Miller, Herschel Johnson and Benjamin Thomas.

There will be a break for dinner, and the WHRF encourages people to try the restaurants in the business district. At 7:15, there will be a panel at The Monastery with the artists and community leaders.

According to Johnson, the goal of the project is to empower residents to continue the conversation the artists began.

Here’s what the artists discovered:

“People said they see the kids hanging out with their own race at school,” says Thomas. “And Kroger — it should have been in a thriving place — but people weren’t feeling comfortable to come into a predominately black neighborhood to shop. Businesses close because of that.”

Thomas is using the mediums of aerosol and paint to create “We Are Cincinnati," a mural of four Walnut Hills residents — everyday people without privilege whose portraits will be iconic in nature. Those who attend next week’s event will have the opportunity to see a live demonstration, as Thomas will be working on the mural at the time.

For Ellison, the neighborhood scape has changed. The highway now inhabits his former home, and he rides his bicycle to Clifton to go grocery shopping. He and fellow photographer Miller will display their collection of portraits and places, and at the culmination of the project, will auction their photos off with 25 percent of the proceeds benefitting the Walnut Hills Little League.

Other projects include a documentary, a 3D shield and a partnership with St. Francis de Sales to offer students the opportunity to learn to sculpt. Each artist’s project includes a plan for community building and community betterment, both now and in the future.

“Segregation is a condition,” Thomas says. “It’s really a mentality that’s subconsciously or intentionally placed in the minds of folks because of money, greed, power — whatever it is — and I don’t want to point a finger, but I want to recondition the condition of segregation by introducing people to others and giving platforms to people who don’t have them.”
 


Vintage travel trailers offer chance to camp in a piece of history


Founded in 2014, Route Fifty Campers offers outdoor enthusiasts a unique twist on your typical camping experience. Owner and operator Debbie Immesoete rents refurbished vintage travel trailers to those who want to camp simply, yet with style.

Immesoete says the idea for Route Fifty came from two places: She lives in a small house and wishes she had an extra bedroom for visiting family. This practical consideration, combined with her attraction to retro style travel trailers, fit well. “I fell in love with these lovely trailers from the past,” she says.

Immesoete knew that her business would have to start small, and after saving money, she purchased her first trailer. To help her understand the business world, Immesoete took two classes at Aviatra Accelerators (formerly Bad Girl Ventures).

The classes not only taught Immesoete the basics of what it means to run a business but connected her to mentors, insurance agents, lawyers and other small business owners.

Route Fifty now boasts a fleet of four vintage trailers. Immesoete says that her campers are easy to use but it still feels like you’re camping.

“People tell me they’re done sleeping on the ground,” she says. “They want something simple but they want a bed. These are perfect for that.”

None of the travel trailers have TVs or hot water, but all of them include air conditioning, board games and colorful interiors. Her travel trailer options include:

  • 14’ 1958 FAN: The compact silver trailer can sleep up to four people and includes an adorable yellow kitchenette. Immesoete says this is the only trailer without a water holding tank.
  • 15’ 1964 Winnebago: With the signature Winnebago ‘W’ streak across the side, four or five people can enjoy a sleep comfortably inside.This is the only Route Fifty travel trailer with a Laveo Dry Toilet — the rest don’t have interior bathroom facilities.
  • 15’ 1969 Aristocrat Lo-Liner: Up to five people can camp in this trailer’s bright blue interior.
  • 13’ 1985 Scamp: What the Scamp may lack in size, it makes up for in character. A family of four will fit comfortably in this blue travel trailer.
Renting the campers is a simple process and can be done either online or by phone. Immesoete says that there’s no time limit on rentals, if the calendar permits. She says campers can take the trailers anywhere except the 1958 FAN, which she prefers to keep local. Otherwise, as long as her customers can safely tow the trailers, they’re free to roam in retro style.

To rent a travel trailer for your next camping trip or for more information about Route Fifty, click here.
 

ArtWorks now accepting applications for 2017 Big Pitch business grant competition


ArtWorks is seeking Cincinnati and Northern Kentucky-based creative business owners and entrepreneurs to apply for its fourth annual Big Pitch, a mentorship program and pitch competition for established creative businesses in the area.

The program, designed for businesses with at least a two-year history and located within 30 miles of the ArtWorks office in downtown Cincinnati, selects eight finalists to participate in a 10-week mentorship program. In addition to valuable exposure, each finalist will receive business coaching and help with next steps for reaching their full potential.

The program culminates in a public pitch event to be held in late September where finalists will have the opportunity to compete for both the Grand Prize ($15,000) and and Audience Choice Grant ($5,000).

“This program gives small businesses the chance to take the next step in reaching their dreams,” says Tamara Harkavy, ArtWorks' CEO. “We thank U.S. Bank for again offering its expertise this year to this important project.”

2016 winners James Avant (OCD Cakes) and Scott Beseler (The Lodge KY) took home $15,000 and $5,000, respectively. Avant launched Bakeology classes in January and has maintained a 60 percent fill rate. Monthly social potlucks have also helped OCD Cakes to draw in community members to the unique and creative nature of both food and the business.

Avant was also awarded the OTR Chamber "Entrepreneur of the Year" Award, and is now building relationships with local community groups to tackle access to food disparities and ways to make the cooking/baking experience more accessible to a larger number of families in our city.

Avant attributes much of his recent success to ArtWorks’ dedication to local businesses.

“Besides the cash prize, each finalist walked away with hours dedicated to the intentional growth and sustainability of their business, a community of entrepreneurs and friends who want to see the other thrive in their respective businesses, a network of mentors who always want to see you succeed and exposure many people and businesses would pay to have access to,” says Avant. “I'm incredibly thankful to ArtWorks and U.S. Bank for creating a platform to give creative entrepreneurs the opportunity to grow their business, expanded community outreach and actively contribute to the city's ecosystem.”

Beseler is continuing to work on his project, The Lodge. Located in Dayton, Ky., The Lodge is a one-stop-shop for musicians — there's a recording studio, graphic designer, screenprinter and photographer in-house, and it seems that Beseler is adding other amenities every day.

Applications for the Big Pitch are due by June 23 and require a $25 application fee. Finalists will be notified of selection by July 14 and must accept by July 17.

The 10-week mentorship program runs from July 21-Sept. 28. For more information on the Big Pitch, last year’s winners and more, visit www.artworkscincinnati.org.
 


POSSIBLE brings innovative ideas to the advertising industry


In Cincinnati, the presence of business partnerships between large and small businesses is furthering growth and bringing more innovative practices to what used to be a simple advertising build.

Local firm POSSIBLE dares to take on new approaches to more traditional advertising mechanisms. It has more than 1,500 employees around the globe with an innovative vision. Its ideas evolve with the ever-changing digital landscape to provide the full-service advertising experience from strategic planning and e-commerce to web development and analytics.

Among one of its most recent projects, POSSIBLE Cincinnati has taken on an iconic P&G brand for the launch of the ‘Febreze Song Ads.’

The creativity within POSSIBLE’s employee base shines through in these advertisements, which aren’t actually ads at all, but instead, a unique campaign that capitalizes on the growing popularity of streaming music services such as Spotify and Pandora by creating 30-second song ads for the air freshener brand.

The team at POSSIBLE worked with music industry icons to write, compose and produce original songs that make Febreze sound more like a band than a brand. The ‘advertisements’ blend in with the ebb and flow of listeners’ lives by using popular genres like rap and R&B.

The first #FebrezeSong video was released on Youtube in Aug. 2015 — to date, it has received over 300,000 hits. (Check out the Febreze commercials and jingles.

At the conclusion of the campaign, the Febreze song ads had been played more than 180 million times, and listeners sought the songs out on YouTube more than 1 million times. The campaign also generated a 56 percent higher tap-through rate compared to other ads on streaming music platforms, making it one of the most successful and innovative P&G campaigns thus far.

POSSIBLE is now being recognized for its hard work and creative thinking. The #FebrezeSong ads received special recognition from the 2017 WEBBY Awards, and the campaign recently won “Judge’s Choice” and gold in two categories at the American Advertising Federation’s District 5 ADDY Awards earlier this year.

In June, the campaign will head to the national ADDY Awards, where it has the chance to be named one of the best advertising campaigns of the year.

Other companies and brands that POSSIBLE has worked extensively with include Coca-Cola, other P&G brands like Pringles, Starwood Hotels, Heinken, the MLS app, the Better Homes and Gardens app, Amazon and many more.

To keep up with more projects and innovative ideas from POSSIBLE, visit its website or Facebook page.

 


Food exhibit at Behringer-Crawford examines immigrants' impact on local cuisine


The #StartupCincy scene includes hundreds of entrepreneurs working in incubator kitchens or developing technology around food-based businesses. A new exhibit produced by graduate students in Northern Kentucky University’s Public History Program, Culture Bites: Northern Kentucky's Food Traditions at the Behringer-Crawford Museum explores the impact of earlier food entrepreneurs, with a focus on restaurants and businesses established by immigrants.

“We wanted to talk about how immigrants have shaped our food choices and tastes,” says Dr. Brian Hackett, director of the masters in Public History Program. “What we found was that these outsiders quickly added to the Northern Kentucky mix by not only changing our palate but also our neighborhoods. We also wanted to show how outside becomes mainstream. In the past, Germans, Irish and Catholics were unwanted here, but now they are among the leading ethnicities in our community.”

The last half of the 19th century saw waves of arrivals from Europe fleeing famine and political turmoil, including Georg Finke, who moved from Germany to Covington and established Finke’s Goetta in 1876, the oldest family-run goetta producer in Northern Kentucky.

At the turn of the 20th century, political upheaval and two world wars launched a new wave of immigration to the United States, including Nicholas Sarakatsannis, who left Greece for Newport where he founded Dixie Chili.

“From my conversations with the restaurant owners, most came here because they already knew someone in the area,” says Maridith Yawl, BCM curator of collections. “They settled in Northern Kentucky with these people and opened the restaurants to serve them and others.”

Food, its production and consumption, is something all people have in common. Family recipes, conversations over dinner and cozy kitchens are memories and experiences nearly everyone shares. The exhibit offers a historical and contemporary perspective through the lens of food on a hot-button contemporary issue.

“Food and restaurants break down barriers, creating safe places for people to meet and create understanding,” says Laurie Risch, BCM's executive director.

Recent immigrants from China, Iran and Korea have also established themselves in Northern Kentucky and opened restaurants to share and celebrate the cuisine of their homelands. These restaurants include Mike Wong’s Oriental Wok, Jonathan Azami’s House of Grill and Bruce Kim’s Riverside Korean.

“They have contributed to the community, both in terms of serving food and being good stewards and helping out various local charities and events,” Yawl says. “They have each brought pieces of their homelands to the community. They love to serve friends from their own ethnic groups and also enjoy meeting people from different backgrounds and teaching them about their foods and culture.”

Adds Hackett: “We forget that we are all immigrants, and that immigrants shaped what we are now. Can you imagine Northern Kentucky without Germans or Catholics?”

The exhibit, which runs through Aug. 31, features interviews with these food entrepreneurs or their descendants, as well as artifacts from their businesses, political cartoons, vintage kitchen equipment and accessories and recipes for visitors to take home.

For more information, visit bcmuseum.org.
 

232 Arts + Culture Articles | Page: | Show All
Signup for Email Alerts